Two main points are the humiliation of the personal qualities of the public figure and the second develops with the serious power of materialism. Taken as one, these themes contain the harsh sarcasm of an American success story that ends in useless homesickness, loneliness, and death. The reality that the personal theme is developed vocally through the characters while the materialistic theme is developed visually, creating a unique stylistic counterpoint.
It is in opposition to the counterpoint that the themes clarify within the formation of mystery Story. Its theme is put in picture from a number Of viewpoints by several different characters. The sad story is how a millionaire newspaperman, who honestly made his reputation as the supporter of the poor, becomes ruined by a desire for wealth and power. Kane’s misfortune lies in his failure to experience any actual feeling in his human interactions. One of Citizen Kane’s main themes was the idea that childhood is missing. All the way through the entire movie, Kane was seen trying to bring back his childhood.
It seemed as though he sought to go back and do the whole thing over. I think the one thing he sought more than anything else was for someone to care about him and make him feel significant. Given that he was separated from his parents when he was so young he didn’t get to have the early days experience of being cherished and taken care of by his parents. When he became an adult he was very in need for attention and love. He tried to obtain his liking from everyone in his life. A person’s childhood is very important and can identify who they become as an adult.
In Kane’s case he did not construct good interaction as a child; therefore as an adult he did not now how to care for someone without shoving them with money and gifts. Many individuals could apply Kane’s story to their personal experiences by learning that money and material possessions won’t make you happy, but the people in your life will. Charles Foster Kane played by Orson Welles, a rich newspaper publisher whose life is the topic of the movie. When Kane’s mother comes into a never ending fate, she sends Kane away to be raised by her financier, Thatcher.
Kane dislikes being taken from his home and the safety he felt there and never settles himself to that separation. As a onsequence, Kane grows up to be a conceited and heartless man. In the end, his attitude distances him from everyone who cares about him, and he loses his newspaper, his fortune, and his friends. Kane’s mother sends him away when he is eight years old and this sudden disconnection keeps him from developing past the grouchy and violent behaviors Of a young person. Kane never builds up a certain emotional expression to his guardian, Thatcher, and he discards Thatcher’s efforts at obedience and direction.
As a grown-up, Kane has a huge deal of fortune and authority, because of his riches Kane has o reason to involve in social norms. Kane’s pursuit for power makes him interesting but in time he drives away the women and friends he interest. As individuals close to him develop in a way that he cannot, they move away from him to look after their own selves. Kane is not a likeable man, but Welles portrays his life in a way that eventually wraps Kane in sadness and pity. Kane is lifeless when the movie begins and we gain knowledge about him through the flashbacks given by his old friends and lovers.
Each person has a special view of Kane, although not all the memories are entirely dependable. Nonetheless, we learn enough about Kane to know he deserves understanding. Kane’s passionate spending and collecting shows that he is trying to fill a blank space within himself with objects instead of people. He purchases things for the sake of having them, not because they give him any actual happiness. Kane is basically lonely and he directs everyone away who cared for him. His efforts to control those he loves always fall short. When his second wife Susan gets ready to leave him, he says furiously that she can’t do that to him.
She confidently responds, “Yes, I can,” and then walks Out the oor. As a performer, Welles logically instills Charles Foster Kane with some of his own encounters and personality as an adolescent. The similarities between Kane and Welles helped Welles give an amazing performance. Welles didnt just perform the part of Kane: in many ways, Welles was Kane. “Rosebud” is the mysterious last word spoken by Kane, and the drive ofthe story. We are left questioning what it could mean and why Kane would say this on his death. One reporter, Mr. Thompson says, “‘l don’t think any word can explain a man’s life.
No, I guess Rosebud is just a piece in a jigsaw puzzle- missing piece. ” It is this missing portion of Kane’s life that we desire to find out because it leads us to think there is a bit deeper to Kane’s personality than what we see on the outside. We are required to intrude into his life and this demonstrates difficulty at times. These in fact place the spectator in the same shoes as the reporters, in that we uncover it hard to determine anything about Kane. The story goes back in time and works itself back to that top. In quest to understand Kane, Thompson talks with many people who knew him. He speaks with old employees Jedediah and Mr.
Bernstein, as well s his second wife, Susan. “l don’t think any word can explain a man’s life,” Mr. Thompson says. For Mr. Thompson and all the others in the story, that one word, “Rosebud,” will eternally stay an unknown. As spectators, we are given the answer; Rosebud was Charles’ sled as a young boy, the one that was deserted in the snow on the day he was taken from his parents. Even though Kane never clearly says it, it is clear to us at present that he was certainly missing part of his life. He just wanted to experience the sort of cheerfulness he felt when he was with his mother, playing in the snow.
The last scene oints out that this never crossed the brains of the reporters. Along with the continuous collection of material goods Kane has saved, they find a stove belonging to his mother. Compared to all the other goods, this is worthless, but to Kane it clearly represented something much superior. The reporters plainly dispose of it as “junk”. The concept of the American Dream is a set of principles in which one would accomplish wealth and power and therefore as a natural result of this, lasting happiness. However, as Charles Foster Kane exposed, it was quite the opposite.
I think Welles wants us to see that Kane idn’t ever allow anyone to understand who he was. He built a fence around his heart so that people only saw him from the outside. Each storyteller had different opinions of Kane, so the spectator gets to see Kane from many different viewpoints. Since the narrators are telling their stories at an older age they are sometimes unreliable and often contradictory.